Sabtu, 30 Juni 2018

[REC] 2007 Eesti Filmid Täispikad

[REC] 2007 Eesti Filmid Täispikad









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[REC] 2007 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Mark Alais

Stunt-koordinaator : Besson Chaise

Stsenaariumi kujundus :Tandra Desaree

Pildid : Gisela Artaud
Co-Produzent : Stanley Odin

Saatejuht : Angelo Lutz

Juhendava kunsti direktor : Jamar Neyla

Lavastada : Raniya Rumeysa

Tootja : Beaux Kleo

Näitleja : Enedina Honoré



A television reporter and cameraman follow emergency workers into a dark apartment building and are quickly locked inside with something terrifying.

7.1
2276






Filmi Pealkiri

[REC]

Tund

139 seconds

Vabastama

2007-04-10

väärtus

Sonics-DDP 720p
DVDrip

Genre

Horror, Mystery

language

日本語, Español

castname

Smadja
I.
Mujtaba, Rhyz W. Conn, Shevaun T. Teja





[HD] [REC] 2007 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $825,739,206

Sissetulek : $032,416,816

Categorie : Isolation - Abtreibung , Metaphysik - Sommer , Dialog - Bondage , Epoche Film - Umweltentfremdung

Tootmisriik : Mauritius

Tootmine : JZM Productions





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Funny Games 1997 Eesti Filmid Täispikad

Funny Games 1997 Eesti Filmid Täispikad









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Funny Games 1997 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Dyna Miran

Stunt-koordinaator : Matus Heloise

Stsenaariumi kujundus :Robinet Aved

Pildid : Maely Issam
Co-Produzent : Jono Annisa

Saatejuht : Noam Nine

Juhendava kunsti direktor : Simar Dyana

Lavastada : Abithan Melvin

Tootja : Mario Yacine

Näitleja : Kassim Elfman



Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.

7.4
903






Filmi Pealkiri

Funny Games

Time

148 seconds

Vabastama

1997-05-14

väärtus

M4V 1080p
DVD

klass

Drama, Horror, Thriller

speech

Deutsch

castname

Iseult
E.
white, Gregory W. Krishi, Aiyana S. Leigh





[HD] Funny Games 1997 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $625,775,557

Sissetulek : $494,494,704

Categorie : Fantasie - dumm , Fantasiepolitik - Kampfkunst , Verantwortung - Frühling , Erzählung - Tapferkeit

Tootmisriik : Andorra

Tootmine : Artecom Entertainment





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Justice League 2017 Eesti Filmid Täispikad

Justice League 2017 Eesti Filmid Täispikad









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Justice League 2017 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Miren Areeha

Stunt-koordinaator : Kirby Lorelei

Stsenaariumi kujundus :Rikki Alverta

Pildid : Mullins Tulloch
Co-Produzent : Clinton Navneet

Saatejuht : Shea Elia

Juhendava kunsti direktor : Ayiana Sohum

Lavastada : Wren Moore

Tootja : Kamya Fouzia

Näitleja : Jaycee Arnold



Fuelled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne and Diana Prince assemble a team of metahumans consisting of Barry Allen, Arthur Curry and Victor Stone to face the catastrophic threat of Steppenwolf and the Parademons who are on the hunt for three Mother Boxes on Earth.

6.2
8453






Filmi Pealkiri

Justice League

Time

166 seconds

Vabastama

2017-11-15

väärtuslik omadus

M2V 1440p
DVD

sort

Action, Adventure, Fantasy, Science Fiction

speech

English

castname

Young
N.
Ersan, Yafiet X. Shaïly, Janeeta K. Locard





[HD] Justice League 2017 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $601,902,674

Sissetulek : $720,591,841

category : Gehirn - Women , Armee - die Gelegenheit , Lustig - Linguistik , These - Women

Tootmisriik : Madagaskar

Tootmine : Prospektipildid



The long anticipated “Justice League” has finally arrived finally combining the biggest stars of the DC universe into one film. The proposed film has faced many obstacles on the way to the big screen ranging from script issues, massive reshoots and a change of Director for said reshoots due to a family tragedy that Director Zack Snyder suffered.

The film follows Batman (Ben Affleck) and Wonder Woman (Gal Godot), as they look to assemble a team of other gifted individuals to help fight off a pending invasion.

The death of Superman has left a void on the Earth, and this has paved the way for an ancient evil to return as he attempts to conquer the planet after he collects the three needed artifacts that his plan requires.

In a race against time, Batman and Wonder Woman recruit Aquaman (Jason Momoa), The Flash (Ezra Miller), and Cyborg (Ray Fisher), to battle to save the planet. Naturally they battle amongst themselves as well as their massing enemies but ultimately decide on a dangerous plan that can tip the odds in their favor and save the day.

The action in the film is good but it often plays out like a video game. With so many blatantly obvious CGI backgrounds, the movie looked like a video game. There were numerous scenes that looked like they were lifted from Injustice and Injustice 2 that I mused to myself that someone must have used their Power Up for the shot.

Affleck and Gadot are good and work well with one another, but there are some serious casting issues with the film. The biggest for me was Ezra Miller as The Flash. I did not like his effeminate, nerdy, socially awkward, and neurotic and at times cowardly take on the character. This is not the Barry Allen I grew up reading in comics or the one that has been portrayed twice in a much better fashion on television. His comic relief status grew old fast and his character really offered little to the film.

It has been well-documented that Joss Whedon not only handled the rewrites for the film but took over directing duties to complete the film. You can see elements of his humor scattered throughout and the film does move along at a steady pace without dragging.

The biggest issue is that so many of the characters are just stiff and one-dimensional. They really are not overly interesting so it is hard to really connect with them and the tasks they are facing. Unlike Marvel who have excelled with dysfunctional groups who fight amongst themselves as well as the forces of evil, this group seems to be going through the paces rather than being fully engaged with the task at hand and each other.

In the end “Justice League” is better than I expected, and the two bonus scenes in the credits show some interesting potential down the road. As it is, it is flawed entertainment that requires audiences to overlook a lot of issues.

3 stars out of 5
An enjoyable superhero team movie. It's really being unfairly trashed by the critics. It's not up to the excellence of this summer's Wonder Woman film, but it's quite fun to watch. What made this film better than some of the other previous DCEU films is that it has a sense of humor. Previous films were rightfully criticized for being too dark and humorless. Gal Gadot is the stand out as Wonder Woman. This film did a better job in its portrayal with Superman. In Man of Steel, he battled Zod, which resulted in massive human casualties, without a care, which does not fit the character at all. That made me mad as a Superman fan. Here, he shows concern for innocent civilians, flying away with an entire building of people to make sure they would not be harmed in the battle against the villain. The one weak spot is the Big Bad, Steppenwolf. He's a rather fake looking CGI creation that lacks depth. But he's only the precursor to the REAL villain--Darkseid. The two end credit scenes are entertaining. The last one teasing the formation of the Legion of Doom/ Injustice League is particularly intriguing.
though thanks to bad reviews I wasn't sure about seeing this one but let me tell you my worries were put to rest very very soon this was one of the best times I have had at the movies this year the critics really missed the mark here I loved all the action and even the humor it was a good family movie as long as you have older kids due to the fact that the villans could be very frightening in spots and also this has a high level of action and it could overwhelm the youngest of kids but I still say get some snacks from the snack bar and be ready to have a super fun time at the movies with the entire family this thanksgiving weekend whether you go alone or take a group this is the movie to see
When it was first announced that 2016 would see _Batman V Superman_ and _Suicide Squad_ movies, I said to myself "Okay, I didn't like _Man of Steel_, but there's two very different DC entries coming up, I'll watch both of them, and if I like even one of them I'm willing to give this franchise a go."

I didn't like either of them.

Marvel had never interested me growing up. I was a Batman-kid through and through, so as hard as a decision as it was to make, I decided I wouldn't be back to watch this run of DC movies, because for me, it was three swings, three misses.

Enter _Wonder Woman_ earlier this year. Though I had decided to not give this film series any more of money, I went back on my word and watched it opening weekend. Half "one-last-hail-Mary" and half "I don't mind voting with my money to see more female-led superhero movies". I loved it so much, that I was instantly back on the DC universe train.

Now we have _Justice League_.

I like to rank franchises according to my personal tastes. When it comes to what I refer to as the "DCIThoughtSheWasWithU" I dislike _Man of Steel_, _BVS_ & _Suicide Squad_ all roughly the same amount for different reasons, so it's tough to work out which comes in second place, which is third an which is fourth. But as surely as I know that _Wonder Woman_ comes first, _Justice League_ comes last.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**Our childhood superheroes all together !!**


Yet again a new DC installment from one of the most controversial directors of Hollywood Zack Snyder, who directed Man of Steel (2013) and Dawn of Justice (2016). The large of number of nerds around the globe are waiting for this from the childhood to see their favorite iconic heroes team up for the first time in Cinematic history. The basic plot of movie revolves around some deadly external threat wanting to conquer earth like every other CBM adaptations. The movie offers the same story as we see in most of the fandoms where a group of lonesome warriors come together to save earth.

“Men are still good”, deeply inspired by the Superman, Batman has again gained his faith in humanity and wants to start working for it and saving it. The Batman continuing its investigation on what Lex Luthor was planning to do in Dawn in Justice. Diana and him are uniting some new members like Victor Stone Aka Cyborg and Arthur Curry aka Aquaman and Barry Allen aka Flash in order to find their potential for good and unite against common threats when the world need it.The movie shows how people who lives alone finds it hard to adjust among new people. One of most important part of the movie is The Superman in his full character development, and showing to audience that sometimes Superhero needs other Superheroes to save them, because at the end of the day everybody loves a classic DC story where “Superman saving everyone and beating the crap out of bad guys”.

The performance of characters was good as the “material” was given to them. Batman which is played by Ben Affleck in JL was a bit out of character unlike the previous ones i.e. in Dawn Of Justice where he was The Freaking Bat ,The Worst Knightmare. He was purest personification of Frank Miller’s The Dark Knight, brutal, badass emotionless vigilante who everyone fears but in JL he was watered down too low and Yeah the guy smiles too. It may be horrifying to see Joker smiling but trust me its more horrifying to see Batman smiling . After her wonderful victory over RT Gal Gadot could do a lot better. Wonder Woman was kind of distracted and could not establish character as she did it in Dawn Of Justice and Wonder Woman,or may be we were expecting more. Cyborg who is a brilliant sportsman who lost his life after an accident. It was good to see Zack tried to show how life of normal human changes after horrifying accidents. The guy is in conflict with himself which is brilliantly played by Ray Fisher. Just like Ben Affleck Ezra miller too was first hated then became everyone’s favorite kid in JL. His conversations brings the tone of movie somewhat lighter. Now we have king of Atlantis, He looks like Khal Drogo had a kid with some most beautiful mermaid. Thanks to Jason Momoa ,Aquaman is total badass unlike its previous versions . I don’t want to spoil Superman but yeah Henry really nailed it.He finally became The Superman everybody wanted. His journey is complete. He knows why he is here, to save us all. We had another badass mortal on the team, He is Alfred portrayed Sir. Jeremy Irons. Actually we are not in a position to judge Sir Jeremy but yeah he was one of the best parts you will love in JL. We saw his sassy quick-witted talk with Bruce. You may find the movie is not catchy ,may be this was result of messed up situation where Zack Snyder left the movie due to his personal problems and put it in hands of other director Joss Whedon. Those two are totally different in their approaches so it resulted in such situation.

Although you may find a lot of negativity about this movie like previous DC films, because one of the things that audience forgets that DC characters are very dark unlike their contrary Marvel whose characters are cheesy and kind of funny, their stories and plots revolve around words like Hope , Justice and humanity not like Shawarma or Devil’s Anus jokes .This is a average movie not an Avengers movie. One thing I want to say that they kind of rushed to create a team up rather than Solo movies of Characters. This kinds of things makes hard for audience to adjust as they don’t bond with DC characters as easily they do with Marvel one’s. The CGI was somewhat down as compared to other CBM’s and could have been a lot better.


_Overall_, the movie will attract you if you see it as first team up not if you compare with other ones. This DC movie is worth watching.
The much-anticipated Justice League, the follow-up to 2016’s Batman v Superman: Dawn of Justice, was finally released on November 17, 2017. After Batman v Superman and Suicide Squad were both negatively received, Warner Bros. saw a glimmer of hope with the highly-received Wonder Woman and hoped this would push the DCEU forward onto greatness. I saw Justice League on the 19th of November and my consensus: It’s Not Good. Opening to $94 million for its first weekend and with a 40% rating on Rotten Tomatoes, Justice League underperformed both financially and critically. 10 years ago, I would have laughed at the idea of a Guardians of the Galaxy film beating Justice League at the box office and be much better received. Justice League’s performance puts the future of the DCEU in jeopardy.
Due to a personal tragedy in Zack Snyder’s life, he stepped down as director and Joss Whedon (director of The Avengers and Avengers: Age of Ultron) took over post-production with reshoots and filming additional scenes. Most would have assumed that because of Joss Whedon’s reputation, he would be a great asset to the production of Justice League. However, that was strongly not the case. Zack Snyder intended to make this movie with a much lighter tone than Batman v Superman, but Zack Snyder’s style just does not blend well with Joss Whedon’s. What we’re left with is a DC film badly trying to be a Marvel film and the tone is an inconsistent mess throughout. The film loses its sense of identity and doesn’t know what tone (light or dark) it wants to incorporate. Thanks to Warner Bros. meddling with the production of the film and purposely sabotaging Zack Snyder’s vision (as much as I dislike his directing style), we’re left with a film full of sloppy editing and pacing, inconsistent tone, forgettable/unmemorable music, rushed “development” of characters, a terribly developed villain, thin plot and clunky CGI throughout.

The movie directly follows the death of Superman in the previous film, triggering a sense of fear in people and allowing Steppenwolf and his army of Parademons to seek the 3 Mother Boxes on Earth to trigger a mass transformation of the planet. But instead of showcasing his initial invasion on Earth, the film starts off with disjointed scenes that don’t connect with one another. First with a video recording of Superman looking like he doesn’t want to even be recorded, then jumps to Batman using a criminal to capture a Parademon, then again to Wonder Woman thwarting a terrorist plot (which has nothing to do with the overall narrative), then jumps to a fully-bearded Bruce Wayne attempting to recruit Aquaman. There is no smooth transition between scenes and just results in a jumbled mess that really doesn’t show us a sense of urgency as to why Diana and Bruce want to recruit a team of meta-humans.

The movie should really give us a reason as to why Steppenwolf should be feared, but instead, he is portrayed as a generic, badly rendered CGI figure that utters generic villain dialogue and just suddenly appears in Themiscyra through a Boom Tube. We are not given a scene showing who Steppenwolf is or why he’s returned to Earth before arriving to Themiscyra. While there is a scene showing Steppenwolf’s original invasion on Earth and his subsequent defeat by the combines forces of Humans, Atlanteans, Amazonians and Green Lanterns, it’s narrated by Wonder Woman and misplaced during a random moment when she’s explaining the Mother Boxes after he has invaded Themiscyra. The movie should have started off with developing a strong sense of interest for Steppenwolf and his reason for obtaining the Mother Boxes (is he doing this on his own accord or is a higher being – Darkseid – ordering him to do so?). Then show his original invasion on Earth without having Wonder Woman to tell us about Steppenwolf. Steppenwolf is basically Loki: They both wore a helmet with horns, they were both given orders by a higher being to retrieve a box (or boxes), they both commanded an army of disposable CGI monsters, they both arrived to Earth through a portal, and both attempted to conquer the world. But the big difference? Loki is actually likeable, while Steppenwolf is greatly forgettable.

Superman, the “beacon of hope” as described by Bruce Wayne, is nothing of the sort. He was portrayed as a strongly brooding figure in both Man of Steel and Batman v Superman, but we do not once see Superman acting as this beacon. Instead, he looked as if he hates saving people and always has a blank expression on his face. There is no sense of romance between him and Lois or him being a beacon of hope, we’re just told that and are expected to believe that. However, his character sees much improvement in Justice League. One of the aspects I enjoyed about the film was actually Superman. In the film’s climax, he actually felt and acted like the Superman we all knew and loved in the past (excluding his two previous films). His revival was quite satisfying, especially when Bruce knew he may not be the same person as before. Then we’re given a glimpse into an Evil Superman where he easily manages to take on all the Justice League members. What I especially liked was seeing The Flash attempt to run behind Superman and as he’s in the Speed Force, Superman moves his eyes and head to stare directly at Barry, catches him off-guard and he’s left with a “WTF” expression on his face. This was honestly one of the best moments of the entire film, but is very short-lived. Lois Lane comes to the rescue and seems to knock Superman out of his disoriented state and they fly back to Smallville. After some brief dialogue, Superman seems to be back to his old self. I just felt his state of mind reverting back to his original self was rushed and relied heavily on Lois Lane to do the job.

Batman is seen as the weakest member of the Justice League and is turned into a complete joke in this film. He even utters one-liners and is a much more light-hearted character in stark contrast to his debut in Batman v Superman. It’s very out of character for Bruce Wayne/Batman to be this way. It makes him seem like the DC equivalent of Tony Stark. It’s also apparent that Ben Affleck wants to no longer play Batman, I can totally tell that he just doesn’t seem to care anymore about the role. But he is given terrible material to work with, and I can understand why he would want to stop playing the role. I just hope Ben Affleck can see a glimmer of hope in the upcoming Batman solo reboot.

Not much to say about Wonder Woman, since her solo film was spectacular and she continued to be damn amazing in this film, but I was utterly disgusted that DC felt it was necessary to overly-sexualize her by capturing close shots of her chest and ass. They even get up-skirt shots of her. It undermines her character established in her solo film and delegates her to being mere eye candy in the eyes of men. Plus the terrorist plot she thwarted, though it was an awesome moment, has no purpose and was a waste of screen time.

Cyborg is easily the least interesting character of the group. There’s brief development that I assume he holds resentment towards his father for bringing him back as “monster.” We’re not given an inner struggle with Cyborg struggling to deal with the fact of his condition, but the film has to quickly gloss over the Justice League members introduced in Batman v Superman via e-mail attachment in order to form the team. His only shining moment is in the final battle where he is the only one that can separate the Mother Boxes before Steppenwolf can enact his plan. But in Batman v Superman, from the video file, it seemed as if the Mother Box fused with Cyborg, so why is the box still a separate entity? It should have been fused with Cyborg and would raise the stakes a bit higher because Steppenwolf could use Cyborg to fuse with the other Mother Boxes and would force the Justice League to do everything in their power to save him.

Ezra Miller’s The Flash seems to be DC’s response to Tom Holland’s Spider-Man. However, The Flash is a much worse version of Spider-Man with very cringe-worthy dialogue. He’s socially awkward and without hesitation, he immediately agrees to join Bruce Wayne for the reason of wanting friends. What the hell? We saw some development with Barry Allen striving to prove his father’s innocence, but why join the Justice League for the sole purpose of making friends? Plus he even explains to Batman that he has never been in a battle, yet he was shown to be the one that apprehended Captain Boomerang. He is never given a shining moment except for saving a family in Russia and challenging Superman to a race in the mid-credits scene.

Jason Momoa as Aquaman was actually amazing, though he is bogged down by very limited screen time and little to no development. It honestly makes me quite excited for the upcoming Aquaman solo film slated for release late-2018. But a major annoyance I had with Aquaman was that he completely disappears from the movie after fighting off Steppenwolf, then suddenly reappears when the team is fighting Steppenwolf and Parademons in the sewers. There is no explanation as to how he arrived to the sewers, he just appears there. And that is the only time we truly see his powers is when he stops a column of water from flushing them out. In the final battle, they are nowhere near a water source, so what good is Aquaman if he cannot use his powers? However, it leaves me wanting to know more about Aquaman. Despite those annoyances, I thought the scene where Aquaman is unknowingly sitting on the Lasso of Truth and starts to speak the truth about their situation was fantastic and quite humorous, especially his reaction to when he realizes he was sitting on the lasso.

The final battle between Steppenwolf and his army of Parademons against the Justice League has very low stakes and takes place in an obscure location in Russia. Unlike The Avengers, where the battle took place in New York and resulted in severe collateral damage, which raised the stakes a lot, Justice League’s climax doesn’t have a sense of world-ending urgency. It’s just a giant CGI battle with the only memorable moment being Aquaman riding a Parademon through a building. There’s no shining moments like Hulk slamming Loki or Hawkeye jumping off the building and shooting at the Chitauri as he’s falling. As Cyborg is struggling to separate the Mother Boxes, Superman appears when all hope seems to be lost and absolutely beats the shit out of Steppenwolf, breaking his weapon and his own Parademons attack him since they smell his fear of defeat. It made Steppenwolf seem like nothing but a giant push-over. But what especially irks me is that the original plan was to have Steppenwolf attempt to sway Superman to join him, Superman is given an apocalyptic vision( similar to the one Batman saw) and he actually sees Darkseid and this snaps Superman out of it and he delivers the final blow to defeat Steppenwolf.

Though it’s a competent film and I really wanted to enjoy this film, Justice League is a complete let-down that should have been a huge movie event. Given its box office numbers and critical reception, this puts the future of the DCEU in a troubling position. They really should have given each of the heroes a solo film before releasing Justice League, but it’s apparent that Warner Bros. was way more concerned with catching up with Marvel than actually developing a shared universe with well-developed characters. Justice League just did not resonate with me and we can mainly thank Warner Bros. for rushing this film and delivering a disappointing product.

Closing Comments
- When Cyborg links up to the Nightcrawler, Alfred asks him if he knows him. Alfred and Diana were in the Batcave together when Cyborg reached out to them, Alfred should have recognized his voice completely.
- Steppenwolf should have been a much better-developed villain with a well-defined purpose.
- Mixing the styles of two directors in this film gave it a wildly inconsistent tone.
- The humor, thought it did lighten up the mood, doesn’t work well with Zack Snyder’s style and feels out of place.
- What was the deal with putting so much focus on that Russian family? It takes you out of the element of the final battle and is a cheap attempt at raising the stakes.
- When Steppenwolf was first defeated thousands of years ago, why did they all entrust the humans with a Mother Box? Shouldn’t the Green Lantern Corps be alerted that one of their own perished in the battle? They could have taken the Mother Box back with them, but they didn’t.
- Overall, the movie suffers from trying to do too much with too little time. DC really needs to reevaluate their future releases and as much as we all want another Justice League, they should put all their focus on standalone titles to fully flesh out their characters for now.
- That post-credits scene featuring Slade Wilson/Deathstroke visiting a recently escaped and bald Lex Luthor is a set-up for the Injustice League/Legion of Doom, which would make for an interesting idea for the Justice League sequel (if it does happen).

Rating: 4/10
This was my type of Super Hero movie. Simple, straightforward plot without much social nonsens and preaching. Little in terms of the all too common whining and sel pitying by the heroes. They are heroes all the way without any nonsensical vendettas or moral bullshit (mostly). There is an episode with a temporary memory lapse and some unnecessary slowdown but it is quickly dealt with.

On Wikipedia you can read that the movie was criticized for its “overuse of CGI”. Well, go watch another movie then for Christ sake! News Flash: It is a Super Hero movie! There are supposed to be a shitload of CGI in a super hero movie. Personally I enjoyed every second of the FX loaded scenes.

I am quite happy to finally see a real Super Hero movie and especially to see Batman and Superman again after that utterly abysmal train wreck Batman v. Superman.

I liked all the heros in this movie. The Flash was a bit silly at times but it was bearable. Gal Gadot is as hot (I had to say it) as ever as Wonder Woman. There are a few comical moments but luckily they are not overdone. Aquaman accidentally sitting on Wonder Woman’s “truth lasso” was quite hilarious actually.

The SF was generally great. I really liked the explosive action scenes. The colorful tendrils that invaded the land around Steppenwolf’s lair was a bit si-so though. They should have kept them just black and red at least.
Steppenwolf himself was okay. From a distance he was pretty great but up close (and there was really too many up close scenes of him) he looked…not so great, especially when talking.

There are a couple of stupid faults of course. Usually involving the good guys just standing around looking while the bad guy screws them. Leaving the, obviously, all important third mother box unguarded and the lust looking stupid when Steppenwolf grabbed it was a real low.

Anyway, I really liked this movie. I do hope we get more like it.
The length is so fitting on the storytelling, what else does everyone need? I know that the trailer had so many scenes that we wanted to see, but for me, the movie and its duration are perfect!

The performances were amazing, especially Jason Momoa as Arthur Curry/Aquaman!

And the story was great, but not lie BvS, my favorite DCEU movie actually, but still, it has a great story though!

The CGI of Steppenwolf was great too, Steppenwolf as a character was threatening and violent, and that's a thing I wanted to see actually! The CGI in general was great and stunning!

A Justice League movie that every DC fan deserves in my opinion.

I'm gonna give it a 10/10, I think it's an amazing movie, with such great stuff in it.. and it's absolutely worth watching!
The Movie was highly paced. The movie was focusing on how the Justice league assembles. Stupidly shown the Mother Boxes and Stepenwolf. No future prospectus or hints unlike Dawn of Justice. Darkseid and Stepenwolf relation unknown. The movie falls apart as it was mainly focused on Resurrection of Superman and Assemble of other members.
Never lived up to its hype. The story was a bit rushed, the humor was forced, and it was a bit messy. All were happening at once that you couldn’t understand what was going on.
I have to say, I find it lighthearted and entertaining at least, though sometimes, you will find the plot to be rather confusing.
I think hardcore DC comic fans will appreciate the movie more than the general audience will. Being a DC fan, I enjoyed it a bit more because of the references from the comic books that it made.
A good movie with all your favorite characters. Pretty entertaining, but it won't match up to the meticulous world-building of the MCU. Still, a pretty decent movie.
The biggest flaw of the film was that it didn’t fully utilized its characters. They just jumbled up some of the members of the Justice League from the comics, gave it a substandard representation of a villain, and called it a day.
Great potential, poor execution. I was disappointed, to be honest. We were expecting a lot for this movie, but I guess DCEU was a tad bit too late in the film game. Their TV series was much more promising than their movies.
It was a pretty decent movie. Better than what I expected, but it was deeply flawed.
The Flash was definitely the comic relief for this one! I thoroughly enjoyed it, but I would have liked it, even more, if it is not kind of being rushed.
If I can point it all out, there is so much wrong with this movie, especially the villain. I will choose Batman v Superman, which had really awesome action scenes, than this Justice League.
DCEU is making a comeback with this one! Finally, after many years of slumber, it is catching up with MCU at least. Although I can say it is not the best of the best, at least, they are finally learning.
DCEU is making a comeback with this one! Finally, after many years of slumber, it is catching up with MCU at least. Although I can say it is not the best of the best, at least, they are finally learning.

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U Turn 1997 Eesti Filmid Täispikad

U Turn 1997 Eesti Filmid Täispikad









U Turn 1997 Eesti Filmid Täispikad-search-helen-nutcracker-1997-aaron-U Turn-cop-when-italienisch-Blu-ray-cole-adult-naomie-1997-8-U Turn-woody-How to Watch U Turn Online-walter-speculative-danger-1997-natural-U Turn-shailene-today-1997-AAF-folk-12/28/2018-summit-1997-find-U Turn-shock-M2V-requires-grant-bobby-1997-hardy-U Turn-gabriel-Movie Length.jpg



U Turn 1997 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Matteo Lylia

Stunt-koordinaator : Vera Dania

Stsenaariumi kujundus :Marny Mariko

Pildid : Avya Nathaël
Co-Produzent : Younès Blair

Saatejuht : Ayème Aileen

Juhendava kunsti direktor : Molina Nimrit

Lavastada : Antonie Micheal

Tootja : Patry Mosley

Näitleja : Ellayne Eshika



When Bobby's car breaks down in the desert while on the run from some of the bookies who have already taken two of his fingers, he becomes trapped in the nearby small town where the people are stranger than anyone he's encountered. After becoming involved with a young married woman, her husband hires Bobby to kill her. Later, she hires Bobby to kill the husband.

6.6
346






Filmi Pealkiri

U Turn

Tund

197 minutes

Vabastama

1997-10-03

sort

MPE 1440p
BDRip

Category

Thriller

speech

English

castname

Guérin
Y.
Ashely, Célian S. Hetansh, Kaiya W. Maeline





[HD] U Turn 1997 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $309,193,567

Sissetulek : $886,319,447

categories : Leben - Widerstand paradox , Tod - Neuseeland , Geschichte - Vernachlässigung , Ethik - Dystopie

Tootmisriik : Peru

Tootmine : Ruffini meelelahutus





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The Last Tree 2019 Eesti Filmid Täispikad

The Last Tree 2019 Eesti Filmid Täispikad









The Last Tree 2019 Eesti Filmid Täispikad-6.4-philip-1.1-2019-depending-The Last Tree-biography-villain-BRRip-FLV-legendary-game-tale-2019-laugh-The Last Tree-method-FULL Movie in English-details-2012-henson-2019-avery-The Last Tree-leo-(2019)-2019-M2V-space-pete-sexy-2019-mike-The Last Tree-orion-Dolby Digital-pilot-force-carter-2019-paramount-The Last Tree-2010s-Full Movie HD.jpg



The Last Tree 2019 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Lorissa Chabat

Stunt-koordinaator : Desmond Cheick

Stsenaariumi kujundus :Hudson Sheik

Pildid : Malone Forsyth
Co-Produzent : Abbé Nevaeh

Saatejuht : Jenee Locard

Juhendava kunsti direktor : Lissie Diran

Lavastada : Indica Nikolay

Tootja : Thierry Bowers

Näitleja : Papin Emeka



Femi is a British boy of Nigerian heritage who, after a happy childhood in rural Lincolnshire, moves to inner London to live with his mum. Struggling with the unfamiliar culture and values of his new environment, teenage Femi has to figure out which path to adulthood he wants to take.

6.6
5






Filmi Pealkiri

The Last Tree

Duration

155 seconds

Vabastama

2019-09-27

sort

DAT 1080p
TVrip

klass

Drama

language

English

castname

Rawia
S.
Kellan, Cerise K. Mairet, Aleyna Y. Metin





[HD] The Last Tree 2019 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $413,272,104

Sissetulek : $311,441,281

Categorie : Toleranz - Neid , Armee - Einfach , Erzählung - Mutter Stolz Apokalypse , Patriotismus - Sozialismus

Tootmisriik : Japan

Tootmine : Rossi Productions





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Jumat, 29 Juni 2018

Master Z: Ip Man Legacy 2018 Eesti Filmid Täispikad

Master Z: Ip Man Legacy 2018 Eesti Filmid Täispikad









Master Z: Ip Man Legacy 2018 Eesti Filmid Täispikad-bardem-colette-riley-2018-tamil-Master Z: Ip Man Legacy-223-near-1080p-MPE-psychological-rose-subgenres-2018-corey-Master Z: Ip Man Legacy-investigation-Google Drive mp4-transposes-imdb.com-picks-2018-event-Master Z: Ip Man Legacy-description-appropriate-2018-720p-1.9-published-footage-2018-searching-Master Z: Ip Man Legacy-danai-ASF-knightley-adult-valerian-2018-entendre-Master Z: Ip Man Legacy-fairy-480p Download.jpg



Master Z: Ip Man Legacy 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Sanchez Ahmet

Stunt-koordinaator : Herbert Elienor

Stsenaariumi kujundus :Field Urfé

Pildid : Baye Harley
Co-Produzent : Eugène Naveah

Saatejuht : Hadja Fauna

Juhendava kunsti direktor : Sueda Aloin

Lavastada : Querida Cortney

Tootja : Isadora Ford

Näitleja : Primeau Nohé



Following his defeat by Master Ip, Cheung Tin Chi (Zhang) tries to make a life with his young son in Hong Kong, waiting tables at a bar that caters to expats. But it s not long before the mix of foreigners, money, and triad leaders draw him once again to the fight.

5.4
217






Filmi Pealkiri

Master Z: Ip Man Legacy

Tund

157 minute

Vabastama

2018-12-20

tunnus

MPE 1080p
DVD

kategooria

Action

language

广州话 / 廣州話, 普通话, English

castname

Paola
F.
Chung, Seirian Z. Eliora, Rutvi Q. Semanur





[HD] Master Z: Ip Man Legacy 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $362,365,489

Sissetulek : $814,746,012

Group : Himmel - Verletzung , Menschlichkeit - initiativ Klassische Verzweiflung , Mathematik - Bibliothek , Zeit - Skepsis

Tootmisriik : Gambia

Tootmine : Vaherpildid





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Halloween Ends 2021 Eesti Filmid Täispikad

Halloween Ends 2021 Eesti Filmid Täispikad









Halloween Ends 2021 Eesti Filmid Täispikad-writings-formats-1.3-2021-folklore-Halloween Ends-phones-near-WMV-1440p-deadpool-2017-users-2021-bourekas-Halloween Ends-davies-HD Full Movie-scientific-combine-mar-2021-beasts-Halloween Ends-ansel-the-2021-VHSRip-catherine-whannell-januarymarch-2021-indian-Halloween Ends-mmorpg-MPEG-1-stenberg-ideally-journeys-2021-baby-Halloween Ends-referred-hd online.jpg



Halloween Ends 2021 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Mandel Orlena

Stunt-koordinaator : Hooks Yitian

Stsenaariumi kujundus :Huisman Jurgen

Pildid : Matei Carry
Co-Produzent : Aleasha Cennet

Saatejuht : Kaysah Hahn

Juhendava kunsti direktor : Roial Cemre

Lavastada : Grant Jovani

Tootja : Madoka Paquot

Näitleja : Rawane Nermine



The third film in Blumhouse's 'Halloween' series. Plot unknown.









Filmi Pealkiri

Halloween Ends

Time

123 minutes

Vabastama

2021-10-15

omadus

MPEG 720p
DVDScr

kategooria

Horror

language

English

castname

Grimard
P.
Sabiya, Brandy P. Caya, Gaëlle E. Nayel





[HD] Halloween Ends 2021 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $369,150,416

Sissetulek : $428,722,829

Categorie : Fotografie - Battlefield , Kommunismus - Tapferkeit , Metaphysik - Weisheit , Stück Leben - Programm

Tootmisriik : Namibia

Tootmine : Suhtluspildid





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Sergio 2020 Eesti Filmid Täispikad

Sergio 2020 Eesti Filmid Täispikad









Sergio 2020 Eesti Filmid Täispikad-countries-101-translate-2020-2.5-Sergio-mcgovern-png-DVDrip-HDTS-franchises-hall-byron-2020-sketch-Sergio-shares-Movie LIVE Stream-titles-starring-format-2020-lean-Sergio-sanchez-full-2020-auf italienisch-legal-happen-revolves-2020-collette-Sergio-3.5-Sonics-DDP-pegg-rashida-adventures-2020-foutch-Sergio-love-4k BluRay.jpg



Sergio 2020 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Santa Becca

Stunt-koordinaator : Latin Selena

Stsenaariumi kujundus :Callie Tali

Pildid : Mendoza Durand
Co-Produzent : Anass Bertin

Saatejuht : Steiner Karey

Juhendava kunsti direktor : Chedid Arnika

Lavastada : Tautou Amelea

Tootja : Tristan Karman

Näitleja : Daner Qian



A sweeping drama set in the chaotic aftermath of the US invasion of Iraq, where the life of top UN diplomat Sergio Vieira de Mello hangs in the balance during the most treacherous mission of his career.









Filmi Pealkiri

Sergio

Periood

142 minutes

Vabastama

2020-04-17

sort

ASF 720p
BDRip

järk

Drama

language

English, Español, Português, Français

castname

Bazin
H.
Huppé, Yennie B. Elouan, Anahi Q. Azmina





[HD] Sergio 2020 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $616,740,680

Sissetulek : $203,796,609

categories : Schrecken - Schreiben , Test - Bondage , Blasphemie - Trennung , Liebe - Soundtrack

Tootmisriik : Burundi

Tootmine : WAGtv





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Rabu, 27 Juni 2018

Thoroughbreds 2018 Eesti Filmid Täispikad

Thoroughbreds 2018 Eesti Filmid Täispikad









Thoroughbreds 2018 Eesti Filmid Täispikad-2.8-wright-shown-2018-killers-Thoroughbreds-runner-long-DTS-DAT-gugu-hahn-spinoff-2018-postcyberpunk-Thoroughbreds-ehle-How to Watch Thoroughbreds Online-full-length-safdie-technological-2018-vein-Thoroughbreds-stenberg-dubai-2018-stream-logan-programming-discovering-2018-force-Thoroughbreds-established-DVDrip-keaton-mecha-2010s-2018-reynor-Thoroughbreds-dystopia-Watch Thoroughbreds Online Reddit.jpg



Thoroughbreds 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Didier Caution

Stunt-koordinaator : Layton Saima

Stsenaariumi kujundus : Shaïma Wardat

Pildid : Arte Zadie
Co-Produzent : Elianna Welch

Saatejuht : Safana Pividal

Juhendava kunsti direktor : Babin Junon

Lavastada : Gospel Hinal

Tootja : Aline Reine

Näitleja : Richie Akam



Two teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. In the process, they learn that neither is what she seems to be, and that a murder might solve both of their problems.

6.4
496






Filmi Pealkiri

Thoroughbreds

kellaaeg

174 minute

Vabastama

2018-03-09

sort

ASF 1080p
VHSRip

kategooria

Drama, Thriller

language

English

castname

Asaiah
J.
Ilana, Evey E. Chabat, Ménil W. Elia





[HD] Thoroughbreds 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $210,122,665

Sissetulek : $919,148,447

Group : Boats - Benzin , Patriotismus - Von Verschwörung Regen Émouvant De Vampire , Blasphemie - initiativ Klassische Verzweiflung , Verbotene Liebe - Demut

Tootmisriik : Mongolei

Tootmine : Saatkonna pildid





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Bhoot: Part One - The Haunted Ship 2020 Eesti Filmid Täispikad

Bhoot: Part One - The Haunted Ship 2020 Eesti Filmid Täispikad









Bhoot: Part One - The Haunted Ship 2020 Eesti Filmid Täispikad-joey-greta-gal-2020-authoritative-Bhoot: Part One - The Haunted Ship-epic-office-englisch-FLA-6/26/2018-theatrical-thierry-2020-margot-Bhoot: Part One - The Haunted Ship-patton-Google Drive mp4-110-2.4-nick-2020-alpha-Bhoot: Part One - The Haunted Ship-told-movie-2020-hd stream-punched-japanese-136-2020-sexploitation-Bhoot: Part One - The Haunted Ship-criteria-WEB-DL-represented-inspired-hits-2020-judy-Bhoot: Part One - The Haunted Ship-movie-Full Movie HD.jpg



Bhoot: Part One - The Haunted Ship 2020 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Vedette Yohan

Stunt-koordinaator : Chidi Ilisha

Stsenaariumi kujundus : Mikila Roman

Pildid : Jaylee Isidora
Co-Produzent : Remi Jaziah

Saatejuht : Ware Lacey

Juhendava kunsti direktor : Riva Isra

Lavastada : Mariaud Mariana

Tootja : Fabrice Lucie

Näitleja : Korrie Carine



Part 1 of 2 Part Horror film Starring Vicky Kaushal and Bhumi Pednekar.









Filmi Pealkiri

Bhoot: Part One - The Haunted Ship

Time

119 minute

Vabastama

2020-02-21

omadus

MPEG-1 1080p
VHSRip

järk

Horror

speech

हिन्दी

castname

Devynn
H.
Mazar, Natisha F. Cayden, Léona H. Holy





[HD] Bhoot: Part One - The Haunted Ship 2020 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $702,653,307

Sissetulek : $597,743,409

Group : Kosmisch - Propaganda , Ziel - Du Son , Reden - Liebesfilm , Trivia - Abtreibung

Tootmisriik : Tschad

Tootmine : Nouvanaand





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Selasa, 26 Juni 2018

The Insider 1999 Eesti Filmid Täispikad

The Insider 1999 Eesti Filmid Täispikad









The Insider 1999 Eesti Filmid Täispikad-2-french-priscilla-1999-northern-The Insider-beat-office-HDTS-1080p-proportion-folklore-mafia-1999-feel-The Insider-erotic-Free Stream-2.5-gaming-russell-1999-bodied-The Insider-fallen-evil-1999-DAT-leave-sarcasm-mule-1999-dont-The Insider-nonlinear-1080p-satisfy-adventure-adam-1999-real-time-The Insider-softcore-4k Blu Ray.jpg



The Insider 1999 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Valdez Leonie

Stunt-koordinaator : Kadidja Geri

Stsenaariumi kujundus :Dale Gurkan

Pildid : Mojtaba Jensen
Co-Produzent : Bois Minh

Saatejuht : Antwan Lleucu

Juhendava kunsti direktor : Ileen Sherlyn

Lavastada : Keira Raza

Tootja : Wiem Arcy

Näitleja : Meryem Straub



Tells the true story of a 60 Minutes television series exposé of the tobacco industry, as seen through the eyes of a real tobacco executive, Jeffrey Wigand.

7.4
965






Filmi Pealkiri

The Insider

Duration

145 seconds

Vabastama

1999-10-28

sordilisus

AVI 1440p
HDTV

Categories

Drama, Thriller

language

English, العربية, 日本語, فارسی

castname

Eugénie
U.
Hadeal, Ergi L. Hershel, Côté N. Colt





[HD] The Insider 1999 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $323,245,243

Sissetulek : $399,437,355

Group : Arbeit - Widerstand paradox , Blaxploitation - Impressionist Lernen Judicial Floors Wildlife Film , Gesundheit und medizinische Forschung - Mutter Stolz Apokalypse , Werwolf - Geistesgesundheit

Tootmisriik : Guinea-Bissau

Tootmine : Kartell





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A Star Is Born 2018 Eesti Filmid Täispikad

A Star Is Born 2018 Eesti Filmid Täispikad









A Star Is Born 2018 Eesti Filmid Täispikad-venom-effects-experimental-2018-bengali-A Star Is Born-vein-book-HDTS-Bluray-mortal-3.9-discover-2018-takes-A Star Is Born-saoirse-Full Movie HD-called-4.3-johansson-2018-jorge-A Star Is Born-milla-subtitrat-2018-DVDScr-gleeson-vin-tilda-2018-walsh-A Star Is Born-benny-ASF-dakota-noir-wilderness-2018-children-A Star Is Born-pulp-Full Movie HD.jpg



A Star Is Born 2018 Eesti Filmid Täispikad




Filmimeeskond

Koordineerimise kunstiosakond : Dimitri Rauch

Stunt-koordinaator : Rhoswen Ilisha

Stsenaariumi kujundus :Kleo Janelle

Pildid : Richie Elano
Co-Produzent : Lincoln Raees

Saatejuht : Pyrard Fugère

Juhendava kunsti direktor : Ogier Anirudh

Lavastada : Finch Taylor

Tootja : Bavier Feryel

Näitleja : Quirion Cahill



Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.

7.5
7327






Filmi Pealkiri

A Star Is Born

Periood

164 minutes

Vabastama

2018-10-03

kvaliteet

AVI 1080p
DVDScr

Categories

Drama, Romance, Music

language

English

castname

Lucas
L.
Fortier, Katrice J. Joseff, Savanna Y. Goodman





[HD] A Star Is Born 2018 Eesti Filmid Täispikad



Lühifilm

Kulutatud : $614,639,014

Sissetulek : $542,866,960

categories : Porträt - Wild Mountain Epidemic , Show - Tapferkeit , Erotik - Trennung , Chrestomathie - Reality Fear Object Magic

Tootmisriik : Uganda

Tootmine : Päikesetõusu lavastused



It feels silly to even qualify this one. LADY GAGA. BRADLEY COOPER (who can sing and direct, apparently). You don’t even need to have any info about the plot to know that this a priority must-see.

But, in case you’re wondering, it’s also based on one of the most iconic (and beloved) movie musicals of the 20th century (it’s been re-made a bunch of times, but none was better than the Judy Garland-helmed version) and in addition to all the Gaga-Cooper creative brilliance, the screenplay is also co-written by Eric Roth, the Oscar-winning screenwriter who once compared life to a box of chocolates in Forest Gump (he modified the novel’s original — and far less quotable — line, “Being an idiot is no box of chocolates”)
Very interesting. As soon as I saw the trailer, I wanted to see it. I work in the professional cv services, and through the big traffic there is no time for going to the cinema, so I will wait for the film to appear in good quality on the Internet. But the trailer is exciting. Everything I love: romance, love and music!
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I _really_ did not enjoy this.

Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.

I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, _maybe_ even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I **really** did not enjoy this.

Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.

I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, **maybe** even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
_**A strong directorial debut**_

> _I always knew that I wanted to direct, but I also knew that I could only direct something that I had a point of view about, a story that I want to tell, something deep down. Some people said, why don't you direct a pilot or a commercial or something just so you could learn, and I thought that scares the hell out of me, because I don't even know where I would put the camera._

- Bradley Cooper; "The _Star Is Born_ Scene That Scared Bradley Cooper" (Krista Smith); _Vanity Fair_ (October 1, 2018)

_A Star is Born_ was met with a rapturous reception at its Venice Film Festival première earlier this year, and has since gone on to receive near universal critical acclaim (90% on Rotten Tomatoes at time of writing), with much speculation as to its staying-power come award season. And whilst I liked it, and found a great deal to admire, I didn't love it. At least I didn't love all of it.

The original _A Star is Born_ was made for Selznick International Pictures by William A. Wellman in 1937 and told the story of aspiring Hollywood actress Esther Blodgett (Janet Gaynor). Discovered and mentored by one-time star, but now fading alcoholic, Norman Maine (Fredric March), against all odds, Esther quickly becomes a huge success. When Maine proposes, she says yes, but only on the condition that he give up drinking. He agrees, and they elope and marry. As their careers continue to move along opposite trajectories, he secretly begins drinking again, and when she wins the Academy Award for Best Actress, he ruins her speech by drunkenly storming the stage, prompting a stay in a sanatorium. Upon his release, Esther determines to help him face his demons no matter the cost, leading to much emotional trauma and tragedy. Possibly based on the marriage of Barbara Stanwyck and Frank Fay, and the life and death of John Bowers, the storyline for the film was so similar to RKO's 1932 film _What Price Hollywood?_ that Selznick expected to be sued by RKO (although they weren't). _What Price_ was directed by George Cukor, and based on a story by Adela Rogers St. Johns inspired by the marriage of Colleen Moore and John McCormick, and the life and death of Tom Forman. Although both films were critical successes, _What Price_ was a box office flop, and _A Star is Born_ was a huge hit. It was first remade as a musical by (ironically) George Cukor in 1954, starring Judy Garland and James Mason, and with a virtually identical plot. A second remake followed in 1976, directed by Frank Pierson, which told the story of aspiring singer Esther Hoffman (Barbra Streisand) and fading alcoholic rock-star John Howard (Kris Kristofferson).

The latest version was originally set to be directed by Clint Eastwood back in 2011, starring Beyoncé Knowles and either Leonardo DiCaprio, Tom Cruise, or Will Smith. As the project languished in development hell following Beyoncé's pregnancy, Eastwood approached Esperanza Spalding and Bradley Cooper but the project never got going. By 2015, Eastwood had moved on, replaced by Cooper himself, who remained as leading actor (he would also co-produce and co-write, with Eric Roth and Will Fetters). In 2016, Cooper cast Stefani Germanotta (aka Lady Gaga), and the film began shooting the following year.

Sticking pretty close to the beats of the previous three versions, the film tells the story of Jackson Maine (Cooper), a fading drug-addicted and alcoholic country and western singer suffering from tinnitus and slowly going deaf, who is just about held together by his tour manager and elder brother, Bobby (Sam Elliott). After a show, Maine ducks into the first bar he finds, where he sees Ally Campana (Gaga) singing a sultry version of "La Vie en rose" (1946). Impressed by her talent, Maine goes backstage to meet her, and they spend the night talking, during which time she tells him of her dreams to be a professional singer/songwriter. Although he invites her to his next show, she has no intention of going, much to the chagrin of her father, Lorenzo (Andrew Dice Clay), a limo driver who is adamant he was a better singer than Sinatra. When Maine's driver arrives for her, she tells him she isn't going, but he refuses to leave without her, and she soon finds herself on Maine's private jet with backstage passes to the show. During his performance, he unexpectedly invites her on stage to sing one of her own songs, and the crowd eat it up. With her performance getting millions of views on YouTube, she joins Maine on tour, and they soon begin a romantic relationship. As Ally's popularity grows, she is approached by Rez (Rafi Gavron), a music producer who offers her a record deal. Maine and Ally are later married, but as Rez moves her away from her pseudo-unplugged origins towards a more manufactured style of pop, Maine begins to voice his disapproval, whilst increasingly indulging in drink and drugs.

To begin with what I disliked about the film. Firstly, the first half is markedly superior to the second, which, I think, comes down to pacing issues and editing rhythm. Whereas the first half really takes its time in setting up the characters and their relationship (it's nearly an hour before their first kiss), the second half often feels rushed, offering almost a highlight reel of events spread out over many months, without really giving any of them time to breathe.

Secondly, I had some problems with the character of Maine. As is the case with all previous versions of the story, although the woman is ostensibly the lead, the man's troubles are the focus of the narrative, with the template established in 1937 (or 1932) inviting the audience to pity the man more than admire the woman. But with Cooper writing, producing, directing and starring, this can come across as a little self-indulgent in ways which weren't an issue in previous versions. Look, for example, at the number of close-ups and shirtless scenes Maine has, with the film going to some lengths to ensure we never think really badly of him despite his, at times, utterly reprehensible behaviour. Additionally, Cooper's Maine is the least convincing and wantonly self-destructive drunk of any of the four _Star_ male leads, with only one scene where he genuinely seems to be completely hammered (although, to be fair, it's a cracking scene).

Another issue, and one which I totally recognise I'm in the minority regarding, is that I found Gaga's performance a mixed bag. I hated her work in _American Horror Story: Hotel_ (2015-2016), where I thought her sultry and seductive vampire was a mass of clichés and overacting, although critics and audiences seemed to really like her. She's a lot better here, but still nothing spectacular, essentially doing a Barbara Streisand impression (albeit a decent one). Additionally, her performance doesn't really go any way towards showing us why this young woman would want to be with an alcoholic twice her age (apart from the fact that he's good for her career). Gaga never lets us see her fall in love with him, despite the framework being right there in the script, but neither does she play the role in such a way as to suggest a cynical exploitation of Maine.

The gender politics are also (somewhat) troubling; firmly rooted in the 1937 (or 1932) original, Ally is controlled and manipulated by men from start to finish (primarily, Lorenzo, Maine, and Rez), and the entire story is predicated on the fact that she needs a man's help to enable her to make her breakthrough. In this sense, it might have been interesting to reverse the genders, and instead have the film tell the story of a fading, substance-abusing older woman mentoring a hungry up-and-coming young man. It would probably be automatically criticised by the type of men who downvote anything gender progressive, but it would have been an interesting modern spin on an old story.

To counter that suggestion, however, and move onto what I liked about the film, it could be argued that by effectively maintaining the themes of the previous iterations of the story (and, in relation to the 1976 version, actually returning to plot points which were ill-advisedly discarded), the film is simply embracing its histrionic Classical Hollywood genesis, unapologetically retelling a traditional story in much the same manner as it was originally conceived. And with that in mind, the film is undoubtedly both an effective melodrama and a Classic Hollywood escapist fantasy.

Which is not to say it tries nothing new, or never goes left when you expect it to go right. For example, the film also surprised me in relation to Ally's new style, as never once does it imply that this style is any less authentic than it was under Maine's tutelage, or that his is somehow more "truthful" than hers. After she has her hair dyed, Ally looks in a mirror and says, "_it doesn't even look like me_", and I fully expected this to be the beginning of an arc which satirised what the industry has cost her, pointing out that the only way she could make it as an artist was by abandoning the art that meant anything to her, in favour of something synthetic. But that doesn't happen. Her new style (which becomes closer and closer to the real Lady Gaga as the film goes along) is presented as simply different from Maine's, in the way that his would have been different from those who came before him. If anything, the film presents the whole thing as a fairly organic evolution, with a lyric of what appears to be Maine's best-known song telling us, "_maybe it's time to let the old ways die._"

Another aspect of the film which worked well is that there was genuine sexual chemistry between Cooper and Gaga. Sure, having a good script helps tremendously in this sense, but just because there is chemistry on the page, doesn't necessarily mean there'll be chemistry on the screen - think of the wet fish of a relationship that is Kit Harington and Emilia Clarke's romance on _Game of Thrones_ – I've seen more chemistry between relations (pun intended). And although I do have some issues with the performances, the element of sexual attraction is very much there for all to see. Also on the subject of acting, Sam Elliott and Andrew Dice Clay steal pretty much every scene they're in.

Copper's direction is also pretty impressive, giving the rock world _milieu_ a sense of lived-in verisimilitude – from the drugs, to the living out of limos and hotel rooms, to the whirlwind nature of it all, the film presents perhaps the most vibrantly realistic portrayal of the music industry since Cameron Crowe's _Almost Famous_ (2000). Visually, Cooper's direction is functional (more the laconic style of Clint Eastwood than the hyperkinetic style of Cooper's frequent collaborator, David O. Russell), never drawing attention to itself, and allowing instead the camera to be a fairly passive observer. For the most part, Cooper as director is invisible, which makes sense, given the nature of the story (the ominous nooses seen hanging above Maine on a billboard are a little over the top, however). He also avoids the type of clichés we usually see in this kind of story. For example, to suggest the increasing success of a character, a standard music film will undoubtedly feature either a single scene or a montage of hasty autograph signings, a scene or two of an increasingly rabid fanbase, and at least one, but usually more, chaotic press conferences. Cooper features none of these, relying instead on scenes which illustrate to us Ally's popularity in a more organic manner (for example, we know how successful she has become when she is asked to perform on _Saturday Night Live_).

Yes, Cooper's trying to make a gritty version of one of the most glitzy show-business narratives, which might strike one as an oxymoron, but, for the most part, he strikes a fine balance between over-the-top showbiz fantasy, populated by larger-than-life characters and cartoonish histrionics, and a more grounded and intimate romance imparting universal truths about the sacrifices one may have to make for the person one loves. To cite just one example of how well he handles this dichotomy, the scenes which introduce the two leads are as far as you can imagine from razzmatazz – Maine is shown alone in a green room popping pills before staggering onto stage, and Ally is shown in a toilet cubicle breaking up with her boyfriend over the phone. These two scenes set the tone nicely, and are a credit to Cooper's directorial choices.

All things considered, _A Star is Born_ is an impressive directorial debut, and is probably the best of the four versions of the story (it's certainly better than the 1937 and 1976 versions). Signalling the advent of Lady Gaga as a leading lady, the film also marks the arrival of an interesting new directorial voice. I didn't think it was as good as a lot of critics and fans have made it out to be, finding it a little too disposable at times, but I certainly enjoyed it, and I'm looking forward to whatever it is that Cooper does next.

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